>> Mona El-Naggar, The New York Times
Published: 2021-04-04 21:21:54 BdST
The fanfare — broadcast live on state television and complete with a military band, a 21-gun salute and a host of Egyptian A-list celebrities — served as both a grand opening of sorts for the National Museum of Egyptian Civilization, where the country’s oldest monarchs were set to land, and an invitation to tourists to return to Cairo after the pandemic.
“These are the mummies of kings and queens who ruled during Egypt’s golden age,” said Zahi Hawass, a former minister of antiquities who supervised the discovery of tombs that date back thousands of years. “It’s a thrill, everyone will watch.”
Everyone, except many Egyptians.
Along the 5-mile path to the new museum lay stretches of working-class neighborhoods that were deliberately hidden from view ahead of the parade, a reminder of the jarring divide between Egypt’s celebrated past and its uncertain present.
Banners proclaiming the “Pharaohs’ Golden Parade” and large national flags prevented television viewers from peering inside Cairo’s impoverished areas and kept local residents from getting a glimpse of the polished, made-for-TV spectacle. In one spot, plastic screens at least 10 feet tall were mounted on scaffolding to close gaps in a cream-colored wall.
“They put it up to hide us,” said Mohammed Saad, a local resident who stood with two friends a few feet behind a barrier that separated them from the newly swept road where the ancestral parade would roll through.
Two security officers confirmed that no one would be allowed to leave nearby neighborhoods during the parade or to step onto the street to watch. “They can watch on a screen,” one of them said.
In a television interview, the head of Egypt’s Supreme Council of Antiquities credited President Abdel-Fattah el-Sissi for conceiving of the public procession as a way to draw tourists back after the pandemic brought international travel to a halt last year.
But the spectacle also underlined the economic and social divisions in Egypt’s capital.
“There is a tendency to try to show a better picture instead of fixing the existing reality,” Ahmed Zaazaa, an urban planner, said of the government’s public-image efforts. “The government says they are making reforms, but the vast majority of people in Cairo who live in working-class neighborhoods are excluded.”
Egyptian television broadcast nonstop coverage of the parade preparations, emphasizing how the news was echoing abroad, pairing the visuals with dramatic theme music and a stream of information about the 22 kings and queens who ruled Egypt more than 3,000 years ago.
The ancient royals who were on the move included Ramses II, the longest reigning pharaoh, and Queen Hatshepsut, one of Egypt’s few female pharaohs.
After sunset, crowds gathered downtown, among them enthusiastic young families who brought their children along in hopes of getting a glimpse of the historic moment.
“It’s a once-in-a-lifetime event. These are our ancestors.” said Sarah Zaher, who came with three friends.
But many of those who gathered were met by police barricades and turned back.
A uniformed officer yelled, “If you want to watch, go watch on television.” Disappointed, the crowds retreated into nearby coffee houses to watch on television or on their phones.
© 2021 The New York Times Company